2007 female biography movie
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Becoming Jane
2007 film by Julian Jarrold
Becoming Jane is a 2007 biographicalromanticdrama film directed by Julian Jarrold. It depicts the early life of the British author Jane Austen and her lasting love for Thomas Langlois Lefroy. American actress Anne Hathaway stars as the title character, while her romantic interest is played by Scottish actor James McAvoy. Also appearing in the film are Julie Walters, James Cromwell and Maggie Smith. This was Ian Richardson's final film performance before his death in the same year as the film's release. The film was produced in cooperation with several companies, including Ecosse Films and Blueprint Pictures. It also received funding from the Irish Film Board and the UK Film Council Premiere Fund.
The film is partly based on the 2003 book Becoming Jane Austen by Jon Hunter Spence, who was also hired as historical consultant. The final screenplay, developed by Sarah Williams and Kevin Hood, pieced together some known facts about Austen into a coherent story, in what co-producer Graham Broadbent called "our own Austenesque landscape." According to Hood, he attempted to weave together "what we know about Austen's world from her books and letters," and believed Austen's personal life was the inspiration for Pride and Prejudice
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15 Great Moving picture Biopics Lurk Inspiring Women
Film biopics take become a popular kind in picture film commerce, with repeat acclaimed world power being voted for Establishment Awards. That is addition true fend for the Worst Actor group, where actors are usually praised assimilate fully embodying and transforming into real-life people.
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15 'On the Incentive of Sex' (2018)
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Film Genres
Biopic (biographical picture; biographical film)
A film that tells the story of the life of a real person, often a well-known monarch, political leader, or artist. Thomas Edison’s Execution of Mary Queen of Scots (US, 1895) prefigures the genre but perhaps the earliest biopic is Jeanne d’Arc/Joan of Arc (Georges Méliès, France, 1900). Biopics were popular with audiences in Europe in the early 20th century, including Queen Elizabeth (Henri Desfontaine and Louis Mercanto, France, 1912), Danton (Dimitri Buchowetski, Germany, 1920), Anne Boleyn (Ernst Lubitsch, Germany, 1920), Napoleon (Abel Gance, France, 1927), and The Private Life of Henry VIII (Alexander Korda, UK, 1933). Beyond Europe and North America, biopics celebrated anti-colonial figures and continue to do so (seePhilippines, film in). The biopic was a staple of US cinema during the studio period, with some 300 films released between 1927 and 1960. The work of director William Dieterle, including The Story of Louis Pasteur (1936), Juarez (1939), and The Life of Emile Zola (1937), is particularly worthy of note. It is common for films from this era to start in media res and proceed by way of flashbacks through a ‘stages of life&rs