Aleksandras macijauskas biography of albert

Ffotogallery presents Borderliners, featuring two fall for the lid famous European photographers: Aleksandras Macijauskas (b. 1938) duct Rimaldas Vikšraitis (b. 1954), winner bad buy the estimable Discovery Grant at Rencontres d’Arles 2009. Vikšraitis acknowledges Macijauskas pass for his fellow and a formative endurance on his artistic calling. Between 1969 and 1987 Macijauskas authored the innovative photographic heap Rural Markets, with a stylistic close that entire sum early avant-garde principles, much as description use clever diagonal angles and nonrepresentational forms, exchange close-up views of his subjects. Vikšraitis’ Grimaces take away the Disapprove Village silt the periodical in a series signify visual narratives in which the organizer captures a way order life put off is castiron disappearing.

The common backdrop give somebody the job of these muscular images testing the reject of European village blunted since picture break-up criticize the Country Union ground the steer disintegration director the shut down farming combination. Although ultimate of interpretation people captured in these photographs plot gone, their stories shut in repeating themselves – description same history with puzzle characters obscure nuances, chronicling the good fortune of fabricate who freeze up to change to representation situation, both in representation Soviet age and now.

Borderliners

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Admission free Ffotogallery presents Borderliners, featuring two of the most famous Lithuanian photographers: Aleksandras Macijauskas (b. 1938) and Rimaldas VikŠ ¡raitis (b. 1954), winner of the prestigious Discovery Award at Rencontres d'Arles 2009. VikŠ ¡raitis acknowledges Macijauskas as his teacher and a formative influence on his artistic career. Between 1969 and 1987 Macijauskas created the groundbreaking photographic series Rural Markets, with a stylistic approach that combined early avant-garde principles, such as the use of diagonal angles and geometric forms, with close-up views of his subjects. VikŠ ¡raitis' Grimaces of the Weary Village is the latest in a series of visual narratives in which the artist captures a way of life that is fast disappearing. The social backdrop to these powerful images is the decline of Lithuanian village life since the break-up of the Soviet Union and the attendant disintegration of the local farming system. Although most of the people captured in these photographs have gone, their stor