Bach markus passion ton koopman biography
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DVD
Markus-Passion nach BWV 247
(Rekonstruktion von Ton Koopman)
Challenge Classics
1 DVD
Erscheinungsdatum Mai 2006
Spieldauer 125'
Komponist: Johann Sebastian Bach (1685 - 1750)
Text: Christian Friedrich Henrici, alis Picander
Rekonstruktion: Ton Koopman
Christoph Prégardien, Tenor (Evangelist)
Deborah York, Sopran
Bernhard Landauer, Altus
Paul Agnew, Tenor
Peter Kooy, Klaus Mertens, Bass
Amsterdam Baroque Choir & Orchestra
Dirigent: Ton Koopman
Aufnahme: Live Mittschnitt Chiesa di San Simpliciano, Mailand, Italien
Bildformat: 16:9 Ton: DSS 5.1
Untertitel: EN/FR/DE/NL
Apart from the St. Matthew- and St. John Passion, Bach also composed a St. Mark Passion in 1731, performed in the same year with text by Picander. Unfortunately the music of this passion was lost, only the text remained.
The efforts to retrace the music have been numerous and we have to fear that we will never find it again, as so many of Bach's other lost works.
It appears to be possible to reconstruct the St. Mark Passion by using a method which was customary for Bach and his contemporaries, called parody. It means that certain chorals and aria's were reused in other works by the composer. The most significant examples of parody by Bach are his Christmas Oratorio and his B-Minor Mass. Ba
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By Physiologist HOLLAND
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Music, with
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St Mark Passion, BWV 247
Musical composition by J.S. Bach
The St Mark Passion (German: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731. Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed.
History
[edit]Unlike Bach's earlier existing passions (St John Passion and St Matthew Passion), the Markus-Passion is probably a parody—it recycles previous works. The St Mark Passion seems to reuse virtually the whole of the Trauer Ode Laß, Fürstin, laß noch einen Strahl, BWV 198,[1] along with the two arias from Widerstehe doch der Sünde, BWV 54. In addition, two choruses from the St Mark Passion may have been reused in the Christmas Oratorio. This leaves only a couple of missing arias, which are taken from other Bach works when reconstructions are attempted. However, since Bach's recitative is lost, most reconstructions use the recitatives composed for a Markus-Passion attributed to Reinhard Keiser, a work which Bach himself performed on at least two occasions, which gives a certain authenticity to things, although it could be viewed as somewhat disrespectful to Keiser's work. However,