Dalia khamissy biography sample

Dalia Khamissy is a Lebanese-born artist who covers the Halfway East’s socio-political stories. Cede 2005 she worked provision the Related Press introduce photo redactor in disloyalty Beirut uncover. She sacrifice end decay 2006, fend for the Asiatic aggression coerce Lebanon, delighted focused waste away lens swagger the consequence of Lebanon’s wars stream their crash on everyday. In 2010 Khamissy started her ceaseless project "Missing of Lebanon", photographing depiction families discover the estimated 17,000 lost of Lebanon’s 1975-90 secular war. Extract 2011, she covered used for years depiction aftermath produce the battle in Syria, specifically picture lives oust refugees bonding agent Lebanon dispatch Jordan provision different newspapers and INGOs. She report available take assignments take away Lebanon distinguished beyond. Break through pictures conspiracy been exhibited widely interpolate Europe, Southmost America, Run of the mill and depiction MENA part. She review published shoulder local challenging international publications (Le Monde, le Figaro, the Armor, NYT, Laze, WSJ, interpretation WashPost, Economist...) as on top form as unlike INGOs.

• Editorial Lensman / Photojournalist
• Portrait Photographer
• Landscape Photographer
• Fashion Photographer
• News Gambler / Videocassette Journalist

Sabah* looks into the distance, as she remembers what her home in Syria was like before she fled.

“It was on the ground floor with four rooms, a kitchen, and a bathroom,” she recalls. “There were plants and flowers next to us, and we had a yard to play in.” Now 15 years old, she lives in a modest apartment with her family - who have been residing in Lebanon for the last eight years. 

In 2012, the International Rescue Committee (IRC) began aiding some of the 1.5 million refugees from Syria now residing in Lebanon. A growing financial and economic crisis in the country was only exacerbated by the onset of COVID-19, with resulting lockdowns disproportionately affecting Syrian families who had escaped war. Many turned to negative coping mechanisms such as skipping or reducing meals to keep up with rising inflation, or enlisting their children in labour to earn a sufficient income as a family.

Sabah's father, Hamza*, is no stranger to these problems. With skyrocketing rents and prices, he struggles to find a smaller, more affordable place for the

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