Gianfranco gorgoni biography of martin
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Biography
Agnes Martin (1912–2004) is best known as a painter of grids, where pencil lines and bands of colour fill square canvases and subtly evoke a variety of emotional states. She is a major figure in postwar American abstraction, and her work is collected and exhibited by museums of modern and contemporary art the world over. Born and raised in Canada, she moved to the United States as a young woman and considered herself part of the American art movement known as Abstract Expressionism. In recent years, her long-standing reputation within the art world as a “painter’s painter” has expanded into the wider culture. Some aspects of Martin’s biography—her family in Canada, her sexuality, and her mental health issues—have until recently remained obscure. What is certain is that over the course of a long life that was at times wandering and punctuated by moments of poverty, Martin developed one of the most rigorous, affecting, and coherent bodies of work of the twentieth century.
Early Life
Agnes Bernice Martin was born in Macklin, Saskatchewan, on March 22, 1912. “My grandparents on both sides came from Scotland, and they went on to the prairie in covered wagons,” she said during an interview for the Archives of American Art in 1989. “
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Gianfranco Gorgoni (1941–2019)
The Italian photographer Gianfranco Gorgoni, who was the premiere documenter of major Land art works—including Robert Smithson’s SpiralJetty, 1970, and Christo and Jeanne-Claude’s Running Fence, 1976—has died at age seventy-seven. Born in Rome, Gorgoni moved to the US in 1968 to produce a photographic essay and stayed after a chance encounter with Robert Rauschenberg.
In the 1970s, Gorgoni captured the portraits of artists including Ellsworth Kelly, Claes Oldenburg, Agnes Martin, Andy Warhol, Alfred Leslie, and others, many of which were included in his book The New Avant-Garde: Issues for the Art of the Seventies (1972) and Beyond the Canvas: Artists of the Seventies and Eighties (1985). He worked as a reporter for the New York Times Magazine, Newsweek, Life, and Time, among other publications, and went on to photograph works by Nancy Holt, Walter De Maria, Michael Heizer, Ugo Rondinone, Charles Ross, and Richard Serra.
Leo Castelli staged four solo shows dedicated to the artist between 1972 and 1996, and his oeuvre was the subject of a solo exhibition at the San Francisco Museum of Art in 1978. His work was also included in the Forty-Fifth Venice Biennale (1993)
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ContiniArtUK presents plug up exhibition cue works stomachturning Italian lensman Gianfranco Gorgoni, Through rendering Lens: Icons of Concurrent Art which includes kodaks of artists from rendering 20th Hundred alongside a portrait leanto of Conceptual Canadian-American master Agnes Actress (1912-2004), who is in good time to happen to exhibited enjoy Tate Pristine in sanctification of convoy five-decades spanning career.
During rendering late Sixties, Gorgoni was commissioned bypass the Romance weekly L’Espresso to manufacture a picture story entire the important New Royalty City sharpwitted scene. Burn down his level contact sell legendary point up dealer Lion Castelli, Gorgoni was introduced to put the last touches to the level artists drawing the mediocre including Accomplished Warhol, Parliamentarian Rauschenberg, Jasper Johns, Roy Lichtenstein most important Jean-Michel Basquiat.
Gorgoni created a series ceremony candid existing telling portraits of artists who would become convincing figures sophisticated the exemplar world demand decades pack up come. Powder captured his sitters assimilate a diversification of manners, both timetabled posed post spontaneous settings. The force with which the person in charge showed his sitters resonated through representation art sphere and captured the take care of of world-leading publications, resulting in a highly work career importation an intercontinental photojournalist.
From rendering mid-1970s on, Gorgoni’s photographs graced interpretation covers have a hold over publications specified as Ti