Kunio kato biography for kids
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Kunio Kishida
Japanese writer (–)
Kishida Kunio | |
|---|---|
| Native name | 岸田國士 |
| Born | ()November 2, Yotsuya, Tokyo |
| Died | March 5, () (aged&#;63) Tokyo, Japan |
| Occupation | playwright, novelist, critic, translator, impresario, lecturer |
| Language | Japanese |
| Nationality | Japanese |
| Alma&#;mater | Meiji University, University of Tokyo |
| Period | – |
| Genre | Shingeki |
| Spouse | Murakawa Tokiko |
| Children | |
Kunio Kishida (岸田 國士, Kishida Kunio, 2 November – 5 March ) was a Japanese playwright, dramatist, novelist, lecturer, acting coach, theatre critic, translator, and proponent of Shingeki ("New Theatre"/”New Drama").[1] Kishida spearheaded the modernization of Japanese dramaturgy and transformed Japanese theatre acting. He was a staunch advocate for the theatre to operate as a dual artistic and literary space.[2]
At the beginning of the Meiji era, efforts to modernize the Japanese theatre became a critical topic for Japanese playwrights, and these endeavors persisted well into the s before Kishida wrote his first plays. However, his predecessors' attempts did not come to fruition, and Kishida is recognized as the first playwright to successfully reform the narrative, thematic, and performative trajectories of Japanese playwriting and acting
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Kunio Kishida facts for kids
Quick facts for kids Kishida Kunio | |
|---|---|
| Native name | 岸田國士 |
| Born | ()November 2, Yotsuya, Tokyo |
| Died | March 5, () (aged 63) Tokyo, Japan |
| Occupation | playwright, novelist, critic, translator, impresario, lecturer |
| Language | Japanese |
| Nationality | Japanese |
| Alma mater | Meiji University, University of Tokyo |
| Period | - |
| Genre | Shingeki |
| Spouse | Murakawa Tokiko |
| Children | 2 |
Kunio Kishida (岸田 國士, Kishida Kunio, 2 November – 5 March ) was a Japanese playwright, dramatist, novelist, lecturer, acting coach, theatre critic, translator, and proponent of Shingeki ("New Theatre"/”New Drama"). Kishida spearheaded the modernization of Japanese dramaturgy and transformed Japanese theatre acting. He was a staunch advocate for the theatre to operate as a dual artistic and literary space.
At the beginning of the Meiji era, efforts to modernize the Japanese theatre became a critical topic for Japanese playwrights, and these endeavors persisted well into the s before Kishida wrote his first plays. However, his predecessors' attempts did not come to fruition, and Kishida is recognized as the first playwright to successfully reform the narrative, thematic, and performative trajectories of Japanese playwriting and acting through Shin