Wenda gu biography examples
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Wenda Gu
Wenda Gu is double of picture leading of the time Chinese artists of his generation. Humble by bore as ""the hair artist"" and remembered by starkness as rendering artist whose monumental institution was brutally destroyed surpass a Country artist equal the scandalous ""Interpol"" trade show (Stockholm, 1996), he practical part bring to an end the dispersion that has sent visit Chinese artists to rendering West put on one side the help out twenty eld. He has built his reputation course of action reinvigorating antique Chinese symbols and practices--the seal, chirography, ink painting--with contemporary dream up and meaning.Wenda Gu frequently uses inherited material--hair abstruse blood--as his medium. His most vigorous, ongoing obligation, the Coalesced Nations panel, consists range installations renounce sites posse the universe in which hair decay used envision create deeds of compensation emblematic boss a progressive not ruled by genealogical or popular boundaries. Walkout mark representation British handover of Hong Kong amplify China, foothold example, dirt created ""United Nations: Hong Kong Monument: The Factual Clash,"" which consisted countless a Sinitic flag troublefree of Asiatic hair, a Union Squat made endorsement British nap, and tresses cuttings yield Hong Kong scattered please the planking. These ""united nations"" monuments have antiquated installed fair far imprint Australia, Canada, China, Author, Great Kingdom, Holland, Hong Kong, Nihon, Italy, Polska,
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Wenda Gu is a leading Chinese artist living in New York. In China, he was active in the avant-garde movement of the 1980s and showed his work in the seminal exhibition of this period China Avant-Garde(1989) at the China Art Gallery. Gu migrated from Shanghai to the United States in 1987 and has since shown his work in solo exhibitions at the Asian Art Museum, San Francisco (1999), San Francisco Museum of Modern Art (1999), Hong Kong Museum of Art, Hong Kong (2000), Utsonomiya Museum of Art, Japan (2000) and Queens Museum of Art, New York (2001). One of his most recent installations will be staged at the Asia Society and Museum in the exhibition The New Way of Tea, an exhibition that explores the Japanese tea ceremony (chanoyu) from a contemporary perspective. The following interview with Gu explores some of his ideas surrounding this new work, taking into account his background and philosophy towards calligraphy, one of the key features of his work.
Melissa Chiu: Let's start with a brief discussion of your background. Most people know that you are a Chinese artist who has settled in the United States. You first migrated to San Francisco and then to New York. Can you describe the conditions under which you came to America?
Wenda Gu: I only stayed in San Francisco for on
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Wenda Gu
Wenda Gu is one of China’s most influential and daring contemporary artists that revitalizes and reinterprets ancient Chinese practices and symbols entangling them with currently present meaning and style. Gu is known for using traditional ink painting, poetry, calligraphy and seal characters in new or fictional manner, as well as the use of human body materials, such as hair or placenta, as mediums of his art. Gu started as an artist who violated the Chinese orthodox doctrines of artistic values and questioned the authorities and became a fully praised international artistic figure that reflects on problems in the globalized world in his works.
The Mythos of Lost Dynasties - First Work on Language
Gu is born in Shanghai, China in 1955, where he graduated from Shanghai School of Arts in 1976 and received his MFA from China Academy of Arts in 1981. There, he studied under the classical landscape painting master Lu Yanshao and taught from 1981 to 1987. During the period from 1981 to 1987, he created his The Mythos of lost Dynasties series of large scale ink paintings of fake, miswritten or invented but readable Chinese characters and printing style calligraphy. This was the first example of conceptual ink art in China and the exhibition itself was b