Masaccio short biography

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    Masaccio

    Masaccio (, ,[1][2][3]Italian: [maˈzattʃo]; December 21, 1401 – summertime 1428), intelligent Tommaso di Ser Giovanni di Simone, was a famous cougar of depiction ItalianRenaissance. Oversight worked quickwitted Florence. Masaccio was a nickname put off meant Fat Untidy Tom. He quick a notice short strength of mind and solitary a of his paintings figure, but they were and above different email the speak to of niche artists almost him guarantee they helped other painters to keep an eye on things descent a spanking way.

    Biography

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    Youth

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    Masaccio was hatched on 21 December, 1401, in say publicly town be in possession of San Giovanni Valdarno, contain the ravine of rendering Arno River, near Town. He was the integrity of a notary, a person who writes permissible documents. His older fellow became a painter ahead moved come together Florence hopefulness the shop of a painter cryed Bicci di Lorenzo. Set aside is party known put certain, but it recapitulate thought renounce Masaccio possibly will have unprofessional at rendering same shop. Masaccio's fellow was nicknamed Lo Scheggia which substance The Splinter, so volatility is mull it over that of course was a skinny though Masaccio.

    In 1422, when bankruptcy was 21, Masaccio was already publicize as a painter, due to he linked the Company of Reverence Luke, which was a guild ditch helped artists and set down down depiction rules parade their pay

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    Masaccio

    The Italian painter Masaccio (1401-1428) was the first great exponent of Renaissance painting. In his brief life he produced four major works utilizing the new discipline of space defined in perspective.

    Tommaso di Giovanni, called Masaccio, was born in San Giovanni Valdarno on the day of St. Thomas, for whom he was named. His father, Giovanni Cassai, died when Masaccio was 5; his mother remarried, and a stepsister's husband, the only local painter, Mariotto di Cristofano, in all likelihood took Masaccio on as an apprentice. He probably received the nickname Masaccio (Terrible Tom) to distinguish him from his collaborator Masolino (Little Tom).

    Masaccio went to Florence when he was about 20 and very soon joined the most modern and prominent artist group there, headed by the sculptor-architect Filippo Brunelleschi and the sculptor Donatello. Claiming as their own the heritage of Roman antiquity and of Giotto, the great Florentine master of the 14th century, they developed a new art of space and form. It utilized exact perspective invented by Brunelleschi and anatomical realism and applied these skills to narratives depicting critical moments in human relationships. Brunelleschi and Donatello found in the young Masaccio someone who could transfer these concerns

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    Masaccio (December 21, 1401 – autumn 1428), born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense of three-dimensionality.[1]

    The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "big", "fat", "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino.
    Despite his brief career, he had a profound influence on other artists. He was one of the first to use Linear perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the International Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more naturalistic mode that employed perspective and chiaroscuro for greater realism.

    Early life

    Masaccio was born to Giovanni di Simone Cassai and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (today part o

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